Olympus Announces Tough TG-1 iHS

"Olympus has announced the Tough TG-1 iHS, a high-end rugged, waterproof compact camera. The main selling point of the camera is its 25-100mm equivalant F2.0-4.9 zoom lens. The TG-1 is tougher than previous Tough models, being waterproof to 12m (40ft) and shockproof from a height of 2m (6.6ft) and will have optional waterproof fisheye and telephoto converter lenses available."

What is iHS supposed to mean? Anyway, this is a new Tough camera with increased specifications from the previous models. In particular, the 4x 25mm-100mm equivalent f/2.0-4.9 zoom lens is faster than many other cameras in its class, especially at that wide end with the f/2.0 aperture. The camera has a 12 megapixel back-illuminated CMOS sensor which is stabilised, a 3" VGA OLED screen (but in Pentile layout), 1080p video mode coupled with a 10 FPS still shooting mode at full resolution or 60 FPS at 3 megapixel, and built-in GPS. As with a rugged camera, it features waterproofing and shockproofing. The camera also promises to feature AF technology from the PEN cameras, so hopefully it will be quick (I do suspect the technology is more on the software side). Oh and what modern Olympus camera is without the Art or Magic Filters? Available in June for US$400.

Pentax K-01 Reviewed by Digital Camera Resource Page

"Aside from its unique looks, the K-01 is also a full-featured interchangeable lens camera. It has a 16 Megapixel CMOS sensor, K-mount lens support with built-in image stabilization, lots of manual controls, a boatload of scene modes and special effects, an HDR function, and 1080p video recording."

When the Pentax K-01 was announced, I mentioned (right in the headline no less) that Pentax cannot seem to do mirrorless cameras right. Well, in addition to all the issues that come with sticking to the K-mount instead of developing a new mount for a large sensor mirrorless camera (fat body due to large flange distance for the mirror box, slow AF with some lenses not designed for contrast detection autofocus), Pentax seems to have some terrible quality control issues here. Jeff Keller has a long history of reviewing digital cameras, but I don't think I have seen him point out so many issues in one review before! Nevertheless, if you are still interested, you can read the review, where the output from the camera is actually quite good, but given all the other issues, I think there are better mirrorless cameras out there.

Olympus Announces OM-D E-M5 Micro Four Thirds Camera

The big news of the past 24 hours is Olympus's E-M5 camera, which is part of the OM-D line. For the uninitiated, Olympus used to make small and very well-made film SLRs back in the day, under the OM moniker. I myself started photography using dad's OM-1 almost two decades ago. Ah, the memories!
Well, while Olympus is trying to stir feelings of nostalgia, I can say that the OM-1 and this E-M5 are quite different beasts once you get past the superficial. The E-M5 is a digital camera through and through, with the controls pretty much geared towards an electronically-controlled lens mount, unlike say, the Fuji X100. Still, it does look good, and the accessory battery grip is really retro; I have not seen something like that since the old motor winders back in the days of manual focus SLRs.

The camera itself is made from the best Micro Four Thirds has to offer. Highlights include a sensor that is the 16 megapixel Live MOS affair that goes from ISO 200 to 25,600 (presumably from Panasonic; about time Olympus ditched that old 12 megapixel sensor), a contrast-detect system that Olympus promises to be world's fastest (challenging cameras like the mighty Nikon D3S and Canon EOS 1DIV), an improved sensor-shift stabilisation system that promises to keep track and correct movement in five different axis, 1080i video at up to 60 FPS, continuous shooting at 9 FPS with single AF, 4.2 with continuous AF, 3" tilting VGA (presumably using a Pentile arrangement) OLED screen, a great SVGA EVF and a weather-proofed body that offers complete weather-proof capabilities when used with the right lenses. Despite that faux pentaprism hump (it is its successor, the EVF hump), there is no built-in flash, just like the old OM cameras.
Other niceties include things like a Live Bulb mode, so you can keep track of the exposure when it is progress. Ever shot in bulb and have no idea how long to open the shutter for, especially in conditions where the light level is rapidly changing? This is the crutch. There is also a tone curve overlay for finer control over how the camera handles shadows and highlights, though I suspect that is more for JPEG shooters.

All that nice stuff does not come cheap. The camera will ship in April for US$1000 for just the body, $1100 with a 14-42mm kit lens, and $1300 with the new 12-50 powerzoom lens (which is weather-proof). Along with the camera, Olympus also announced a 75mm f/1.8 lens, a 60mm f/2.8 macro, and a new flash with an LED for video work, the FL-600R. The FL-600R will ship in April for US$300, while pricing information for the lenses are not available.

More details and photos at the link, along with a preview! Be sure to see the grip, it just so old school!

Kodak to Cease Making Digital Cameras

"Kodak has announced that it is ceasing production of digital cameras, pocket video cameras and digital picture frames."



Kodak has been a real mess for the past 20 years, with management trying to keep a hold on a lucrative but dwindling core business. As Kodak exits a market it never really could compete in against the Japanese, I wonder what the post-bankruptcy future it has? Paper? More film? Licensing the name is only going to go so far without some innovations from the parent company. In the end, I think this pretty much confirms Kodak as a has-been.